Sound Anatomy Mastering

Sound Anatomy Mastering, is an independent audio mastering facility in Berlin run by Richard Scott, specialising in analogue and digital mastering using the highest quality technologies; including Crookwood, Chiswick Reach, Bryston, PMC, Amek, Ward Beck, Revox, Acustica Audio, Samplitude, Fabfilter and Sonnox. He has mastered many albums, specialising in electro-acoustic, improvised, new music, experimental and acousmatic music. Clients and artists include HCR Records, PSI Records, Karl Records, Distractfold, Sam Salem, Pierre Alexandre Tremblay, Aaron Cassidy, Evan Parker, Richard Barrett, Bryan Harrison, Ricardo Climent, Martha Zapparoli, Olaf Rupp, Axel Dörner, Audrey Chen, Jef Chippewa, Discus, Creative Sources, Cusp Editions, Han Earl Park, Monty Adkins, Simone Santi Gubini, Mary Bellamy...

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Albums are usually mastered in one day, including revisions. More complex projects, including audio restoration, stem-mastering and mixing are sometimes possible. If you are applying for funding for your project, I would suggest building these costs directly into your project from the outset, while making the application and contacting me well in advance for a quote and availability. Right now, we can only offer stereo mastering, no Atmos or multichannel. Prices are £500 per day for commercial labels, publicly funded institutions and projects. If we have spare capacity, a discounted rate is sometimes available for independent artists and small self-funded labels. Please contact me for a quote. 

Contact Sound Anatomy for mastering enquiries